![]() ![]() Now, this does bring up a very important point: a lot of people will say that you need to buy a germanium fuzz instead of silicon, that the germanium far surpasses the silicon in quality and all-around-gnarliness. You’ll see tone control in more modern three transistor fuzzes like the Fulltone Soul-Bender and the Legends of Fuzz Bender. The three transistor topology opens up another fuzz bonus feature: tone control (which originated in the Sola Sound Tone Bender V.3 or 4). Two other vintage examples of this circuit are the Marshall Supa Fuzz and the Hornby Skewes Zonk Machine. Much like the Fuzz Face, you’ll hear this pedal on tons of records, but it’s a much more aggressive fuzz than the Fuzz Face. In 1965 London, the Sola Sound Tone Bender appeared, arguably the most well-known three transistor topology of all time. With that in mind, the first really great three transistor fuzz came from a modified version of the Fuzz-Tone. I think the Fuzz-Tone is allowed to not be the best. What’s funny is that three transistor fuzz is actually the first fuzz ever invented- we saw it in the 1962 Maestro Fuzz-Tone, but the Maestro Fuzz-Tone’s not a great fuzz example, because it really doesn't sound good. Next up, we’re gonna look at three transistor fuzz. You could also grab a Dunlop Mini Fuzz Face, Analogman's Sun Face, the Wampler Velvet Fuzz, the MXR Classic 108 Mini- or literally thousands of other homages to the Fuzz Face. The JHS Legends of Fuzz Smiley might be my favorite. You’ve got a ton of options here on which pedal you can use. The Fuzz Face is the best circuit for you if you want a sustained, mellow, approachable, predictable-in-a-good-way sort of fuzz. It only has two transistors, and that simplicity lends itself to making very good sounds without a lot of hassle. ![]() Eric Clapton, the Beatles, everyone loved this pedal, and for a good reason: it's beautifully simple. You hear it on iconic records like Pink Floyd’s Dark Side of the Moon. Jimi Hendrix loved it and used it all the time. I don’t think it’s an exaggeration to say that the Fuzz Face is the most famous fuzz pedal on Earth. But most notably and most famously, we see it in the 1966 Dallas Arbiter Fuzz Face. The original unit plugged directly into your guitar to create the fuzz effect, and we later saw this topology used in a 1.5 Tone Bender. The two transistor fuzz topology is hands down the most famous of the four different types, and it appears sometime around 1965 in London when a Vox design engineer, Dick Denny, creates the Vox V816 Distortion Booster. This is by no means going to cover every type of fuzz, but (IMHO) this does cover the four most popular fuzz topologies, and that will give you a grid on what you like and what you don’t like. Now, I’ll be the first to admit that the world of fuzz pedals can be really overwhelming, so I'm going to break this down into categories based on how many transistors are in each type of fuzz. We're going to discuss the facts, play some jams, and rock out until you’re well-informed enough to make your own decision on this. In this article, we’re going to dive into the scary, mysterious waters of fuzz and figure out which one’s for you.
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